Wednesday, January 13, 2016

Manic-quin

While searching for a mannequin for my new store, Velvet Morning Vintage Shoppe, I found this antique mannequin listed in an ad online.  She was perched in the front window of an eclectic thrift/consignment vintage and antique shop located in the downtown Oklahoma City area called, The Basement.  I used to see her in the window when I drove past the store, looking out at the traffic at the intersection in her distressed condition, a blood-paint-splattered wedding gown with a plastic butcher knife in hand as if striking-helpless to escape.. not only at Halloween, but all year long.  It just happened to be on Halloween when I saw the ad and went to buy her this year, in 2015.  As I left the store, the radio played a song by Stevie Nicks of Fleetwood Mac, "Edge of Seventeen," so I called her the "white winged dove."  She was just on the edge, that's for sure, and she seemed happy to leave that sad existence - a fun place to shop, but not to remain in her condition for such a beautiful vintage fashion icon.  

Strangely, the day before, our school had a suspicious package threat on campus at UCO.  It turned out to be nothing, thankfully.  After I purchased the mannequin, I had a tutoring appointment to meet with an ELL student at the UCO library and I was almost running late.  It was a grey and drizzley morning, with some fog rolling in, like being near the ocean in San Francisco, which only added to the edgy Halloween atmosphere.  I barely had time to stop and bring her into the house before going to the school library.  I was afraid if I parked at the library on campus, she would easily attract unwanted attention in my car and be mistaken for some kind of a bad hoax.

Here's a picture of my rescued mannequin in her previous store window:

... another picture from the online ad of my rescued mannequin:


This is my rescued mannequin after I brought her home, but still in the condition that I found her, yes the paint was that bad in the front and also on her dress:

In the next picture, I at least changed her clothes.  The paint clean-up will take longer and will have to be more of a restoration, because if I try to remove the paint it will damage her further.  She is also missing her left hand and half of her right hand was broken off, which had the plastic knife taped to it, and the glass base that holds the rod to stand alone was missing; but she already looks much happier.  She just needs a little support and TLC.  Soon after I took this picture (below), I put a turtleneck on her to cover her scars and will continue to improve her the best I can.  Her new bracelet has a quote, "best friends forever."



I decided not to put her in my store until she is fully recovered, and I found a second antique mannequin that was already complete.  All she needed was a wig, which I had found by chance and it looks great on her.  Kendra and I, a friend who has a space in my store, call her Phaedra, after the Nancy Sinatra and Lee Hazelwood song, "Some Velvet Morning." It's also a combination of the names "the" for Theresa and "dra" for Kendra, The-dra only with a p: Phae-dra which is also where I got the name for my store "Velvet Morning Vintage Shoppe."  I have been moving into the store during December and it's almost ready for the opening event.

I will be selling men's and women's vintage clothing, esp. 60's and 70's but also some 40's-50's, Edwardian and theatrical themed items, retro concert t-shirts, platform shoes to Birkenstocks, hippie styles, disco, and other fun retro stuff like lava lamps, mid-century items, vintage posters, God's eye yarn art and other art gallery style items to name a few.  I also have a small stage and runway, "for all the world is a stage," William Shakespeare.

(photo) Paseo district, Oklahoma City artifact from the 1960's




Here's a Chronicles of Narnia type wardrobe I found for coats:

and I found a carpet for Kendra's area:




















This is part of my store display, although that has changed some already since I took the picture, Phaedra is in the white dress on the right:


This is the store front...


... and here's the new sign I'm ordering:












Plus T-shirts and window stickers coming soon:




My favorite cover: Rowland S. Howard and Lydia Lunch:

and also Slowdive:









Monday, September 14, 2015

The Dog Days of Summer, the Magical Mystery Tour, and the Girl with Kaleidascope Eyes...

The Dog Days of Summer, The Magical Mystery Tour,
and 
The Girl with Kaleidascope Eyes
or...
"It's Seirios!"

During the past week I made time to get an eye exam because all my cheap reading glasses keep breaking.  I have been putting off getting prescription lenses due to the cost of new lenses and frames.  There are some good deals, if you catch it at the right time, but I happened to look for them during the dog days of summer- late July, August, even into early September.

Finally, I went on a vision quest to see if I could find a pair of 70's retro frames to use with my new eye prescription.  One mall eye proprietor (an optomistrist) recommended that I try Dick Story's Optical, one of the few brick and mortar optical companies around which has been in business in OKC since 1971.  He said if anyone knew where to find local vintage or retro frames, Dick Story's might, aside from visiting random thrift stores periodically.

My Magical Mystery Tour
at Dick Story's Optical - Illusion:
It was just across the street, but out of the way, from the mall - and it was surreal from the time I walked in the door holding my prescription in hand [like it was an invitation, ... to make a reservation].  I was met by the very articulate and intelligent owner, Dave Trent, who greeted me and asked if there was anything in particular I was looking for.  When I mentioned that I was hoping to find some retro eye glasses frames like the ones I used to wear in the 70's, he had a spark of recognition and a glimmer in his eye, maybe even a bit of a flashback.

Dave showed me the cases with the newest frames of retro-inspired designs, all very nice, but I didn't see anything like what I had in mind - the Original Mary Jane octagon/oval shaped black frames I had worn in the 70's.  He said, "Hmmm, well, if you'll come with me, I think I might have something else that you'll like.  Come right over here and sit at this desk [roll up].  I have some old stock I can show you that I have set aside in my dog drawer. [They've got everything you need]." All the frames in the dog drawer were from the 1960's and 1970's and well hidden from view.  He only got them out for unique occasions since most customers want the newest frames on the market.  He said he still has a few ecclectic customers, so he reserves his old stock for rare inquirers.  As we sat down, he sat across from me at the desk and reached into the dog drawer.  One by one, he lifted them out, frame by frame, some of the most beautiful retro eyeglass frames, original styles which I hadn't seen for at least 30 years! Not only did he show me the frames, he encouraged me to try them on, then demonstrated the quality and functionality of each one, down to the tiniest screw that holds the hinge-screw in it's place!  He was so knowledgable and thorough, very educational regarding the frames, which types of lenses would work best for which purposes, and how to get the best fit for the different types of progressive lenses and what work best for different functions, but most exceptionally, he had an eye for the art of framing the face - he stays with the customer "till we have faces" (C.S. Lewis).  The whole time we were looking at the frames, the background music in their store was playing music from the 60's and 70's!  I almost didn't know "where the artificial stops and the real starts" (Andy Warhol).

With Dave's helpful preparation and information, the decision on lenses became clear to me.  The hardest part was deciding which frames to choose.  There were several that looked really great on, each one was like a trip to the past.  He also seemed to enjoy looking through them as much as I did, and he took the time to show me a few select current styles that were striking, retro-inspired, or statement frames, some dramatic or for special effect.  The only drawback to getting retro frames is that if they break, since they are one-of-a-kind, and if they can't be repaired, they can't be replaced.  It's sad to think that such great items from the past are quickly disappearing from view and how rare it is to find them in new, pristine condition.

After trying a few different frames and discussing them, he reached into the drawer again and said, "I have one more pair that you really should try..  I'm not sure how it got into the dog drawer, because I have a separate collection that I have marked 'not for sale'; but I'd like to see what you think of these..  I think they'd look great on you."  He pulled out a pair of Caval's from the 1960's [like magic] in their original condition, never worn!  I remembered seeing them in high-fashion magazine ads growing up and dreaming that one day I would get to wear a pair like them.  However, it was always a glossy magazine fantasy and not a reality, until I actually got to try them on!

At first I laughed at the size of the lenses - mind-blowing!  But when I put them on, I was surprised how comfortably they fit and how perfectly brilliant everything looked through them!  Not only did everything look more alive, all the lights became incandescent and danced around on the lenses, so that it looked like kaleidescope eyes.  He said they looked like a great fit [for my soul].  I was surprised - I liked them better than I expected.  It was like putting on my first pair of high heels or my first platform boots that were 6 inches tall, like a goddess with rock star status. ~{o}-{o}~ They felt as delicate as butterfly wings, with tiny crystals gleeming across the bridge of the nose and on each of the temples like drops of dew.

Before I could catch my breath again, he brought out a second pair of 1960's Atlantique sunglasses!  Sparkling with the first pair, now totally Scorching!!  Mind doubley-blown.  It was still up in the air if the Caval's were for sale, but Dave had the heart of a true artist, he offered to sell them and gave me time to consider and keep them in the dog drawer for me - indefinitely.  But before I could let the sun set, I had decided.  I went back the next day to pick up the glasses [my face missed them].  I also got to meet Mrs. Trent, who was equally as kind as Dave.  When I got back to my car, I put on the Cazal's and started the engine.  The song that immediately came on the radio (which was on a random classic rock station) was the Beatles' "Magical Mystery Tour!"  This song was on the Beatles' album my dad gave me for my 11th birthday in 1967 after his secretary had come back from a trip to England, during the 'Summer of Love'.  It seemed like an illusion [allusion], like I had gone from H.P. Lovecraft-ers to Timothy C-Leary's on my vision quest.  And I did find a pair of Original retro 70's silver octagon frames with a gold patina on them for my progressive lenses at Dick Story's [Satisfction guaranteed].  Back in the day, they used actual gold in the metal.  These were made with fine German craftsmenship, and will be ready to pick up in another week.  The Cazal's have lenses too large to be fit for progressive lenses, but they can be worn as fashion sunglasses, or fit for a tinted distance-only lense, appropriate for looking at the past in retro-specs.  I didn't want to wait, being so myopic in my seizing of the dog day [Wanting to take them away, take them today].



Some quotes and articles I discovered with my new eyes - [the pictures (above) were taken before I saw this fitting article]:

“The voyage of discovery is not in seeking new landscapes but in having new eyes”…   Marcel Proust
Motivational Speaker, Michelle Ray's Blog:
In "The World Through Kaleidescope Eyes," Michelle Ray makes an observation, saying, "consider looking at life through a kaleidoscope and become an “observer of beautiful forms” (the ancient Greek translation for kaleidoscope). We can unravel a deeper meaning behind what we think we see when we become more receptive to looking at life through a broader lens. How often have you found that your original perception of a particular person or circumstance was flawed?  Upon further investigation, you uncovered fresh and exciting information that gave you a renewed appreciation for the relationship. These are the experiences that we need to draw upon whenever we catch ourselves in “black and white” mode; convinced that we are right. Instead, when you find yourself taking a myopic view, consider the words of French novelist Marcel Proust: “The voyage of discovery is not in seeking new landscapes but in having new eyes.”

The Dog Days of Summer reference and the Dog Drawer:


The Romans referred to the late-summer period as dies caniculares, literally meaning Dog Star days, out of the belief that the summer heat was caused by the proximity of the star Sirius (the brightest star and part of the Canis Major—Large Dog—constellation) to the sun during these months.  (Seirios - Greek)

(The Dog Star is a symbol of power, will, and steadfastness of purpose, and exemplifies the One who has succeeded in bridging the lower and higher consciousness. – Astrological Definition)

...the "dog days" are actually defined as the period from July 3 through Aug. 11 when the Dog Star, Sirius, rises in conjunction (or nearly so) with the sun.

As a result, some felt that the combination of the brightest luminary of the day (the sun) and the brightest star of night (Sirius) was responsible for the extreme heat that is experienced during the height of the summertime. Other effects, according to the ancients, included droughts, plagues and madness.

A more sensible view was put forward by the astronomer Geminus around 70 B.C.  He wrote: "It is generally believed that Sirius produces the heat of the 'dog days,' but this is an error, for the star merely marks a season of the year when the sun's heat is the greatest."
Dog star, Nile days
In ancient Egypt, the New Year began with the return of Sirius. It was, in fact, the "Nile Star" or the "Star of Isis" of the early Egyptians. 
Interestingly, some 5,000 years ago, this 'heliacal rising' (appearing to rise just prior to the Sun) occurred not in August, as is the case today, but rather on, or around June 25. When they saw Sirius rising just before the Sun, they knew that the "Nile Days" were at hand. Its annual reappearance was a warning to people who lived along the Nile River. 
The star always returned just before the river rose, and so announced the coming of floodwaters, which would add to the fertility of their lands. People then opened the gates of canals that irrigated their fields. 
Serious about star Sirius
Priests, who were the calendar keepers, sighted the first rising of the Dog Star from their temples.  At the temple of Isis-Hathor at Denderah is a statue of Isis, which is located at the end of an aisle lined by tall columns. 
A jewel was placed in the goddess' forehead. The statue was oriented to the rising of Sirius, so that the light from the returning Dog Star would fall upon the gem. When the priests saw the light of the star shining upon the gem for the first time, they would march from the temple and announce the New Year.
In the temple appears the inscription:  "Her majesty Isis shines into the temple on New Year's Day, and she mingles her light with that of her father Ra on the horizon." 
This week, just before sunrise, Sirius might again be glimpsed rising just above the southeast horizon for those living in mid-northern latitudes. At more southerly latitudes, Sirius is already conspicuous, twinkling above the horizon at dawn.
Sirius is the brightest star of the constellation Canis Major, the 'Greater Dog' in Latin. According to Burnham's Celestial Handbook other names for it include 'The Sparkling One' or 'The Scorching One.'

The star appears a brilliant white with a tinge of blue, but when the air is unsteady, or when it is low to the horizon as it is now, it seems to flicker and splinter with all the colors of the rainbow.  At a distance of just 8.7 light years, Sirius is the fifth-nearest known star.  Among the naked-eye stars, it is the nearest of all, with the sole exception of Alpha Centauri.

Little did I know before reading this article, that I found the Caval eyeglasses, Atlantique sun glasses, and Silver Octagon eyeglasses on September 11th, the day of the Coptic (Egyptian) New Year!

 The Magical Mystery Tour begins just as The Dog Days are Over!


Reference links:
http://dickstoryoptical.com/
http://www.contrarianconsulting.com/the-dog-star-hierarchy-of-needs/
https://en.wikipedia.org/wiki/Dog_days
http://www.space.com/8946-dog-days-summer-celestial-origin.html
http://www.michelleray.com/the-world-through-kaleidoscope-eyes/
http://farmersalmanac.com/weather/2015/06/29/why-are-they-called-dog-days-of-summer/

[shout out to the boys from brooklyn]





Wednesday, September 2, 2015

The Thief of G-d's DoubleVision

It seems odd to think that someone could steal from G-d.  To be a thief of G-d would mean to take something from G-d without asking, to keep what rightfully belongs to Him, or to withhold what is due to Him.  How do you steal from someone who has freely given us all things to enjoy?

One day I realized that I felt like I had been a thief of G-d all my life.  I had always done things my own way without thinking about (depending on) G-d, and I believed that if I ever wanted to get something I want, it had to be by my own efforts.  That was how I learned to survive growing up.  I still strive for G-d's blessings at times, instead of asking first, being thankful, and just allowing them to be bestowed.  I hadn't learned to depend on G-d's blessings and provision like the birds of the air do, or the lilies of the fields who depend on Him to provide for their needs to feed and clothe them.  He even gives them beauty, abundance, and many special blessings besides their basic needs.  I hadn't learned how to trust my Heavenly Father.  Ye'shua says,

"If G-d gives such attention to the appearance of wildflowers— most of which are never even seen—don’t you think he’ll attend to you, take pride in you, do his best for you? What I’m trying to do here is to get you to relax, to not be so preoccupied with getting, so you can respond to G-d’s giving. People who don’t know G-d and the way he works fuss over these things, but you know both G-d and how he works. Steep your life in G-d-reality, G-d-initiative, G-d-provisions. Don’t worry about missing out. You’ll find all your everyday human concerns will be met."
Matthew 6:33 MSG


     While growing up, as I mentioned, I always felt that I wouldn't get what I really wanted if I left it up to someone else, a very 'poor' attitude to have - the opposite of living generously.  As I was thinking about this, I was reading in the book of Genesis for my Bible as Literature class.  The story I happened to be reading was about Jacob, the Patriarch.  Jacob stole the first-born blessing of G-d from his twin brother Esau by 'pulling the wool over his eyes'.  It's quite a story, but afterwards, his brother was angry with him.  Then, when Jacob ran for his life from his brother's rage, he went to his mother Rebecca's family, to his uncle Laban.  On the way, he slept at a place which he named Bethel, because it was a place where he had dreams and G-d spoke promises to him there.  When Jacob woke up he realized he was on sacred ground.  He took the rock he had used as a pillow and set it upright as a pillar (his 'pillow' was now a 'pillar', ha! sounds like he could have been in Oklahoma!)  He did this to remember G-d and he anointed his 'pillar' with oil (ha - sounds funny to an Okie - but enough 'pillar-talk'), what a sense of humor this G-d of Jacob has.  I think He must have put that in the translation just for Okies like me.

     Then Jacob did something new:

Genesis 28:20-22 Jacob vowed a vow: “If G-d stands by me and protects me on this journey on which I’m setting out, keeps me in food and clothing, and brings me back in one piece to my father’s house, this G-d will be my G-d. This stone that I have set up as a "memorial 'pillar'" ;) will mark this as a place where G-d lives. And everything you give me, I’ll return a tenth to you.” MSG

     Before he set up his "memorial pillar," Jacob made a vow to G-d based on the promises G-d made to him while he slept.  He said if G-d keeps His promises, "this" G-d would be "his" G-d.  The "if" clause indicates that Jacob didn't yet trust "this" G-d, and his pillar was a memorial to remember his dreams which had died while he slept.  He knew this G-d was able to keep His word, but he hadn't experienced it first-hand yet to make it personal.  Once he experienced G-d providing for Him and fulfilling his dreams, he agreed the memorial would become the mark of a place where "his G-d lives" to him.


     After Jacob arrived at his uncle Laban's place, he met Rachel.  Jacob wanted to marry Rachel when he met her, even though she was the second daughter of Laban.  Jacob didn't consider the custom of their culture, that it would be inappropriate to marry Rachel before her older sister, Leah, had a husband (although it seemed 'okay' to marry a cousin? They're not in Oklahoma anymore...although she could have been a second-cousin).  He made an agreement with Laban, who is really like a foil for Jacob, just as Leah seems to be a foil for Rachel.  In the agreement, he got more than he bargained for, he got tricked into marrying Leah, or 'weak eyes', and had to double his commitment to work for an additional seven years in order to marry Rachel.  I don't think that Leah was the one with the weak eyes, but Jacob possibly, because he didn't see it coming.  Eventually, Jacob completes his commitment to his uncle Laban, and decides to take his double-wife family, children, flocks and herds that he had gained and return to his homeland.  This meant that he would also have to face Esau - his twin brother and his other 'double' that he ran away from.  This is where Jacob gets into 'double-trouble'.  If he stays with his uncle Laban, his uncle will keep taking advantage of Jacob.  If Jacob returns
to his father's house, he will have to face his brother Esau's wrath and possible revenge since their father Isaac had died.

     Although Jacob worked hard and fulfilled all his commitments to Laban, he left with his family(s) like a thief in the night, because he knew his uncle Laban would try to stop them.  G-d had provided for Jacob and prospered him, but Jacob was still relying on his own efforts to keep what he really wanted - Rachel, the beautiful one.  On their way, his uncle Laban came out against Jacob to stop them; because not only had they left in the night without saying goodbye, Rachel had also taken the household idols with her when they left.  She had either trusted in the familiar household idols and didn't want to part with them, or she may have wanted to dis-empower her father when she left with her husband, bringing the idols with them.  She was relying on her own efforts as well to meet their needs.  She hid the idols under her seat and told her father she couldn't rise to be searched, because 'Aunt Flow' had already caught up with her.  So the household gods traveled with them on their way back to Jacob's home, although Jacob didn't know they were aboard the caravan.  She had hidden the idols even from Jacob because she hadn't learned to trust him, or Jacob's G-d yet either.

     As Jacob was on his way to return to his homeland, a 'stranger' came and wrestled with Jacob one night - they wrestled all night until morning - and Jacob wouldn't let him go until he promised to bless him.  I always thought it was odd that the man he was wrestling with had to flee because the sun was coming up - which sounds like something a vampire might say? What place are we in now?  Jacob asked the stranger to tell him his name, and the 'stranger' said, "Why do you ask my name, seeing it is "Wonderful?"  He touched Jacob's hip and it went out of joint and the stranger disappeared.  After that, Jacob walked with a limp, leaning on his walking staff.  He knew he must face his brother Esau and he would now have to trust G-d to save him, since he could no longer run from his brother.

      When his brother Esau finally saw him, he accepted him. Jacob gave the glory to G-d, and Jacob's name was also changed to Israel by the 'stranger', because he became a prince with G-d by wrestling with G-d (in prayer and pleading) all night and prevailed until day-break.   Jacob first sent all his flocks and herds ahead of him, then all his belongings, all his servants, then all his family, and last, his favorite wife, Rachael and their son Joseph, and finally he had to give up his own life to G-d's will.  He had to be willing to give up his old ways of survival, give up all that he owned, give up all that he loved, and give up his own life in order to be restored to his brother Esau.  Basically, he had to give up.  Jacob's brother Esau let him live because G-d's favor was on him, Israel.

     That is why when G-d appeared to Moses, He said, I AM the G-d of Abraham, Isaac, and Jacob (Israel).






On Thursday, September 3 - Mesore 28, the church commemorates the Patriarchs: Abraham, Isaac, and Jacob

"He has said He is, 'The God of Abraham, the God of Isaac, and the God of Jacob,' because each one of these possessed God entirely. And it is to the no small honor of the Patriarchs that they lived to God." - Origen

Sunday, February 15, 2015

Euripides and 'The Women of Troy' in a Black Box Theater

It was almost 2 p.m., the last opportunity to see the play, Euripides' The Trojan Women.  I hoped to go on Valentine's Day, ironic as that may seem, but I couldn't be back in time from a day-trip out of town and I heard the weather was going to get bad over night.  The weather on Valentine's Day was beautiful, warm, sunny, a perfect day.  Today was cloudy and cold, an impending sleet, snow, and ice storm was approaching.  I decided to try and make it to the play early and hope the road conditions would stay favorable until it was over.

I drove to Oklahoma City and arrived early to find parking and the theater on OCU's campus.  I managed to find a parking spot just outside the building which happened to be the Performing Arts building where the Black Box Theater was located.  I hadn't been to the Stage II theater before, so I got lucky finding my way.  Once inside the building, I was heart-struck when, as I approached the ticket table, the cashier closed the cash box and said, "I'm sorry, we are already SOLD OUT."

"Sold Out?" I asked, "then, could there possibly be any standing room or alternative way to see the play, since I was attending for a class for credit?"  She said no, they were told absolutely not to allow anyone else inside.  The stage director came out and re-confirmed to everyone that they were sorry to be sold out and that there was nothing anyone could do.  He said we would have missed the performance on Saturday as well, since they sold out in advance each day.  I sighed, and wondered how I could have managed to miss it after being so close as the entrance door.

I started to leave and stopped in the women's restroom and said a prayer.  It occurred to me to see if I could hear the play from outside the doors of the theater and possibly take some notes.  The cashier and others were putting the table and chairs away, so I asked if I might be able to hear anything from outside the theater.  They said once the doors were closed I wouldn't be able to hear the actors speaking, so no luck.  I thought, I can't leave now.  I might not be able to see it, but even if I have to attend it 'deaf and blind,' I will wait here until it's over before I leave the play.  I noticed a man that was waiting in a chair by the door with his laptop open.  He told the cashier he would wait for the stage director to come back to speak to him.  I decided to wait around and see what would happen.

When the stage director came back, it was the same one who told us they were sold out and that there was no other seating.  He was making an exception for the man in the chair to get in due to his association with the production.  I asked if it might be possible to find a seat with them.  The director agreed to let me come and sit in the balcony along with them.  He led us through the backstage and through all the actors as they were preparing to go onstage.  We went up a small spiral stairway to a balcony which surrounded the theater.  There were several seats where some of the acting students were seated, and there happened to be one empty seat.  He told me I could sit there if I didn't mind watching from the balcony.  The balcony was more of a catwalk, not meant for seating, but for the actors to use in the balcony scenes.
I was so amazed to be inside and to have a seat in the play!  He wouldn't even let me pay for a ticket, which I offered to do, so it was a true gift, a favor from the theater gods perhaps?

When the play was over, I went to thank the stage director for being so kind.  They were already setting up for another event in the evening.  After I got home, I was looking for a picture of Euripides, and I couldn't believe it when I saw his face - he looks exactly like the stage director that helped me!  An exact twin: hair, beard and all, except for the robe!
Euripides/Stage Director

I, like a small bird perched above the walls of Troy, watched as the theater shaped like a black box went completely dark and silent.  A light came on above the stage and Poseidon appeared on the balcony, delivering the prologue.  Below, the women of Troy: Hecuba crumbled on the ground. Gradually the others came to join the scene.  
There was something intimate and powerful to the performance in such a small venue.  There were no masks, the stage was bare, the performance raw in its realism.  Each woman spoke their part like a veil being lifted to reveal another level of grief, loss, anguish, heartache, fear, despair.  The black box seemed perfect for such a play, like watching the embers burn in a flame, extinguishing one after the other until all hope was lost.  In the end, the bare bones of Hecuba's strength led the women of Troy to their fate, to their Greeks.
In the end, I felt like I was carrying the ashes of Troy
in a black box.

Wednesday, November 12, 2014

Taking the Plunge: Practice Teaching

Taking my first plunge in practice teaching an ESL class:
What I learned from my cooperating teacher during my Teaching Practice:
I focused on a different aspect of teaching during my observations, such as how lesson plans were presented, use of mini-lessons, use of technology, classroom management, time management for classroom tasks, review and introduction to new material, assessments, transitions in activities, group work, unexpected incidents, rapport with students, and much more.  My lesson plan, to teach for one hour, worked out well.  I wasn't sure if I planned the time for the activities right, but it worked out to be exactly right, although I could have made the pair activity more simple.  We talked about family, reviewed vocabulary and morphology, word families, how to learn intentionally by using the words to learn more forms of each word, co-locations, synonyms, etc.  We did a short listening exercise from the text and identified and discussed the main idea - that knowing your ancestry is important to a positive self-concept.  Then students got into pairs to interview each other, find out about their families, and then each one gave a short presentation about their partner's family.  They could talk about relationships, family values, or a past experience that was meaningful about their family that made them 'unique'.  Since the listening exercise was about ancestry, most of the students discussed their ancestry, although we listed on the board different values that they thought were important to have in a family before they got into pairs to interview each other.

*Above are some of the students in our class (I know their names, but I didn't want to list them here):
The class is an intensive learning, upper level Listening and Speaking class.  The student on the far left, his grandparents are from France and moved to Saudi Arabia after they visited there and liked it so much they stayed in Saudi Arabia.  The second student on the left is from Turkey.  His entire family is from Turkey.  However, his grandfather lost his parents when he was only two years old so the government took care of his grandfather.  Because of this, they don't know their entire family history on their grandfather's side.  He also has a high respect for women and believes women's rights should be protected and that women are also capable of being strong leaders in government and business.  Next to the student from Turkey, the third on the left is a student from Seoul, Korea.  He and the student from Turkey are roommates and also like doing their classwork together.  They ask great questions in class and are very thoughtful, such as, "Do you think heritage is a good thing, especially when a culture has a strong heritage that might need to make changes?" The student fourth from the left is from Saudi Arabia and his grandparents are from Germany.  They moved to Saudi Arabia and liked it so much that they also decided to live there and raise their family.  He likes to spend time in Germany occasionally as well.  The fifth student on the left is also from Saudi Arabia.  He said he'd like to have a large family, but it depends on how much money he earns, if he will be able to support a large family.  Other students which were not in the picture were three students, from South Korea, China, and Vietnam, another student from Saudi, as well as three girls from Saudi.  The Saudi girls didn't like to be photographed, so they aren't in the pictures or videos.  Every morning when I arrive at the school, I see their husbands drive them to class and drop them off.  I think of it like getting pampered in a way, since I usually have to do things for myself - the down side to being independent.  One of the students, when asked to give an example of good manners answered, "to visit the sick people," and then another said, "to take care of the poor persons."  How sweet is that!
They are all really great "puppies," (nicknamed by our cooperating teacher, who is also from China but grew up in Boston).  They are each both exceptional and 'unique' (inside joke - not 'eunuch').  Other similar words that were equally questioned, version and virgin, modified version/virgin?  Also trait/trade.  I had to video-tape the practice teaching, which my cooperating teacher generously offered to do the camera work.  Although I brought extra batteries, the memory stick didn't last long enough, so we had to use my cell phone for half the class.  Luckily it worked out just as well.  I think everyone left with the feeling of being very 'unique.'

I got to practice the power pose (like Wonder Woman) just for fun at the beginning of class, which I learned from watching my cooperating teacher, as well as from a video I found on Ted Talks:
Your Body Language Shapes Who You Are

I found this video by accident after getting the website from my cooperating teacher.  It was perfect timing to see it just before my practice teaching.  It talks about how we can sometimes feel that we don't belong in a certain situation because of our differences, or perceived limitations, etc.  I have a struggle with thoughts like that at times that stretch me.  The video talks about how to get past that.
So today, much like the message about Your Body Language, I faked it 'til I made it - like a colt that stands up for the first time on shaky legs with big knobby knees - although my knees were knocking together a little, at least they aren't too knobby - neigh, just a little wobbly.

I am now looking forward to taking a class in Old English that I'm enrolled in for next semester, Insha Allah.  I have been waiting since before 2009 for this version/virgin? of English to appear, or is it a modified version/virgin, since it's finally being "offered again."

Friday, October 31, 2014

Friday Night Confessions: Ghosts in the Theater

It's Friday evening (6/7/2014, the week before Father's Day).  I began earlier to get things ready to welcome the Sabbath.  I'm not Jewish, but it's something I like to learn about because it helps me understand more about who G-d is according to the Jewish tradition.  Also, the Sabbath, because it was established on the 7th day of Creation when G-d rested from His works according to scriptures, has been considered sacred by some since the time of Adam, also considered one of the seven Noahide laws, before it was given as one of the ten commandments to Moses for the children of Israel. (Genesis 2:1-4, Jubilees ii.16-33).

I was looking forward to welcoming the beautiful presence, the Shekinah glory, and the peace of Ha Kodesh.  I started doing this a few months ago in my own small way, and now I don't like to miss it.  I read somewhere that there is a tradition where some rabbis walk up the road to meet the Sabbath as it is approaching.  So I tried this, walking eastward, up the road from my home to the end of the next block.  I'm not a rabbi, or a scholar of the Torah - but I love to walk. There was a calmness, a coolness, and a gentle breeze, like in the description of Adam when he heard G-d walking in the Garden of Eden in the cool of the day.  I wanted to keep going further, like making it into a prayer walk, but I didn't want to be away when it was time to light the candles.  It was such a beautiful, quiet moment.  Ever since then, I've tried to make sure that I have everything ready on time as much as possible for the Sabbath.  It has helped me since I started to set aside the Sabbath day to rest, and I put aside my own pursuits, homework, etc., and I try to make it last from Friday evening until the early hours of Sunday morning.

One Sabbath I spent most of the day spying out the land, looking at the journey to locations on Google Earth where the children of Israel were led through the wilderness, from where they were thought to have crossed the Red Sea, and all the places along the way to Mount Sinai, at Jebel el Lawz in Saudi Arabia, and the Rock at Horeb, which looks like a split camel toe, etc.  Most of the sites I looked at were in Saudi Arabia, rather than the usual Mount Sinai in Egypt, which never made sense to me if they were led out of Egypt that Mount Sinai would be back in Egypt, especially based on a tradition an Israeli soldier, Dan Tal, once told me, that Israelis are known for not having reverse, or back-up lights on their tanks.  Moses was associated with Midian, so it seems he would have traveled towards the areas where he first encountered G-d in the desert when he fled from Egypt the first time.  But the feeling I got when looking at the sites was like that of being in an empty theater.  There were traces of drawings of footprints, drawings on altars, and even broken pillars and campsites left behind.

As the time for the Sabbath was about to begin, I lit the candles.  I always light them all (one candle for my daughter, one for others I want to send good thoughts to, and one for myself )  and then I read the blessing from a  Jewish website on my cell phone.  I like to read it in Hebrew - I can still read the Hebrew alef bet, although I don't know much of the vocabulary.  But, when I study the Hebrew words, there are meanings that are easily lost when translated into English.  Such as "Abba," a more intimate word for "Father," more like "Daddy," "Alef-Bet-Alef, The Alef is the symbol for an ox, or strength.  Bet is the symbol for a house with a door. So, for example, a father is the strength of the house, as well as the door to it.

Something that came to my mind this week when I was lighting the candles and reciting the blessing was about G-d being our loving heavenly Father.  I was listening to a message by Joseph Prince one evening this week and he said that G-d's purpose in sending Ye'shua was to reveal the love of the heavenly Father for the world.  A loving heavenly Father.  During Joseph Prince's message, he sang an old hymn, "you will always be a child in my eyes, -- and even when you're growing old, I hope you'll realize, you will always be a child in my eyes."  This song came back to my mind as I was lighting the candles and I wondered why I hadn't realized this before in my own life, that even though I can believe it is true about G-d for others, I never really knew how to connect that He is a loving heavenly Father to me.

I started to realize that, emotionally, I had put G-d "up on a pedestal," high on my "G-d-shelf," thinking He belongs there, of course; but I kept him at a safe distance - at arm's length, above my head even.  I thought, this seems reasonable because after all, he told Moses to tell the children of Israel to stand back and not even touch the boundary that he set up around Mt. Sinai when he came to meet the people and entered into a covenant with them, giving them his instructions.  Your G-d is a consuming fire!  Moses warned the people to stay back so that the fire of G-d would not break out against them if they crossed the line to get a closer look at him. 

As a small child, I remember once my sister and I peering through the mostly closed door to my parents room to watch my dad while he was practicing a speech in front of the mirror.  Compared to many dads, I considered my dad a mostly perfect father.  I admired him very much.  He got upset sometimes, and he was upset that I was curious and spying on him, interrupting him as he practiced a speech for work the next day.  He was an electrical engineer, about to become head of the planning and engineering department of the OG&E electric company.  So, I can understand, or relate to a concept of G-d that does the things this G-d of Moses does.  He had to keep a separation and a mediator, a slightly opened/closed door, between him and the people, which was Moses.  But, I didn't understand how to see this G-d as a loving heavenly Father.  Holy, good, responsible, a protector and provider, yes, but loving?  What did that look like?

When I was trying to imagine G-d as a loving heavenly Father, I suddenly re-member-ed something I had forgotten about for many years until now.  Friday night was also the time chosen to be my "date night" with my dad when I was between 9 to 10 years old.  My parents were going through a divorce and it was very heartbreaking.  At first my dad had to get a hotel room downtown close to the office where he worked so that my mom could keep the car and the house so she could take care of my brother, my sister, and myself.  The hotel was for men only and he had only one room to live in with a shared bathroom down the hall.  My dad let us stop by one evening and he snuck us in to see his place because I was having nightmares about something bad happening to him.

He and my mother made arrangements for us to be able to see my dad on the weekends, but since my sister and I couldn't spend the night with him until he got his own apartment, he made plans to spend special time every week with each one of us.  He said he would pick me up on Friday nights to spend time together and take me out to a movie or to dinner.  After the movie, he said he would take me back home, drop me off, and pick up my brother, who would spend Friday and Saturday night with him at his hotel.  Then he would come back on Sunday and take my younger sister on an outing for the day.  My sister was about 6 years old at the time.
A picture of my dad, Eldon, before he graduated
from Capital Hill High School - an
'OG' - original greaser! (1950's)

I loved and admired my dad very much.  I never doubted that he loved us because he always did his best and worked hard to provide for our family.  He went to night school after he got out of the army, training to be an electrical engineer while working for the electric company.  My mom said most of his co-workers were getting second jobs to support their growing families, but she agreed we could do without the extras so he could go to night school.  He was under a great deal of stress with work and trying to study.  I always felt uncomfortable around my dad because he seemed on edge.  He was very nervous and would get upset, or sometimes lose his temper at us, and I felt like I could do nothing right.  I missed him when he was gone, but I was nervous when he came home.  So, in a way I was relieved when he wasn't home, and at the same time I missed him when he was gone.

I know my dad wanted the best for me, even as a small child I was sure of that; but emotionally, I was very insecure in his love for me.  He was angry one night with my mom when things started getting worse before their separation and they were fighting.  He was trying to cook something and my mom was talking to him and she reached out to hold onto his arm.  He pulled back suddenly and she lost her balance and fell back onto the floor.  He tried to kick her away when she was down on the floor; he was pulling on the silverware drawer at the same time, which pulled out and the silverware, along with the drawer, went clanging and banging all over the floor.  It was more frightening than violent, but I ran to help my mom.  I was crying and asking my dad not to be mad, but he was too upset. He told my mom to get out, and he looked at me and said, "you can just go with your mom, since you love your mother so much!"  You always knew when my dad was too mad because his eyes would dance back and forth nervously.

It was night-time and raining out, and my mom and I were both crying.  He  picked me up and carried me out to the car and made me go with my mom.  I loved them both, but when I saw my mom fall  onto the floor I was nearby, sitting on the floor of the living room where I had been watching something on T.V.  Suddenly, she was on my level.  I just wanted to protect my mom from being hurt, but my dad was also hurting.  However, this was the first time I felt my dad disown me.  His words stung like electricity and my face felt numb from shock and shame, as if he had hit me.  His words were stinging in my ears.  My parents separated after that and I didn't see my dad for a while.  I later realized that people say things when they're angry or hurt that they don't mean, but it can be damaging at the time.

After some time had passed, my dad came to pick me up one Friday night for our first Friday night visit.  He had made plans to take me to the movies.  My dad always liked to plan everything ahead of time.  He was a really good planner, which helped us have a sense of stability growing up.  I was ready by Monday also planning what to wear, what to bring, and all week I was looking forward to seeing my dad and spending time together.  It felt strange to be going someplace alone with my dad.  We didn't usually get to do things together, just the two of us.  I hoped it would be a time to become closer to my dad.  At the same time, I felt awkward, nervous, anxious, and afraid I might do something wrong.

We went to the Knob Hill Theater.  After we bought tickets we went inside to see the movie.  We found some seats midway to the front, and sat down near the isle.  Once the movie started, after a few minutes, my dad told me he was going to go smoke a cigarette and make a phone call.  I said I would be okay, because I thought I would be.  I knew I should be fine.  However, after he left, I started feeling really anxious.  It felt like he didn't like being there with me.  Then, I wondered if maybe he really didn't like me.  I felt like I wanted to cry. 

The theater was full of adults and other families, but it wasn't like a Saturday morning matinee when there were mostly kids running around without their parents.  I sat in the dark theater looking around, trying to see if I could see my dad and wanting to be invisible.  He said he would be in the lobby to use the phone and then go up in the balcony area to smoke, and that he would be able to see me.  But I couldn't see him up in the dark balcony, only the glaring reflection of the flickering lights on eye glasses, the red glowing tips of burning cigarettes and a few pillar-like clouds of smoke with flashings of light shooting out from the projector, which drifted and hovered over the theater, juxtaposing the smoke with the flashing lights like clouds with lightening. 

I'm sure he thought I was just sitting and enjoying the movie.  I was trying to act grown up because I didn't want to disappoint him, but the longer I sat there, the more I also wanted to run and hide.  Was I just being a big baby?  I knew my dad wanted to call his girlfriend, someone he was seeing at the time that he had to skip a date with to take me to the movie, and they might talk for hours.  I felt terrible.  I was afraid I wouldn't be able to find him again.  At the same time, I knew he wouldn't leave me there.  I sat alone in the movie, but I don't remember how long or when he came back, if it was a long time, or if I had to walk out to the lobby and find him when the movie ended.  I don't even remember what movie I watched.  I also don't remember if we went to dinner first.  I don't remember if we got popcorn, or if I asked for lemon drops at the movie.  There was a Jerry Lewis movie that came out that year (1966), Three on a Couch, and I think it may have been that one.  My dad knew how much I liked Jerry Lewis, although he didn't like to watch him much, because he thought he was too silly for grown-ups.


Whatever my insecurities were, as I got older I realized the reasons for the misunderstandings, but I didn't experience a very close loving relationship with my father.  We went through harder times when I was a teenager. He didn't want me to make bad decisions for my life; but at the time, threatening me made me feel even more anxious and rejected.  The next time he disowned me again I was sixteen, he told me to get out of his car, saying that he didn't want to see me again and he said I was worthless.  He accused me of sneaking out at night and being a bad influence on my sister, although it was my sister who was sneaking out and I didn't want to tell on her. This time he left me beside the curb with my suitcase downtown near my job one morning where he dropped me off on his way to work.  I was sixteen and working as a receptionist in an office downtown.

A friend who was teaching me how to drive a standard-shift car also worked for OG&E, the electric company where my dad worked.  My friend was a meter-reader and saw a garage apartment for rent for only $75 a month!  The elderly lady that rented it out to me was a widow, she was very kind.  She made me a birthday cake unexpectedly, because it was my seventeenth birthday soon after I moved in.  My dad and I went through long periods when we didn't speak, and there were times when things improved some, but it was always a painful subject.  He would also threaten that I was not going to be included in his will when we disagreed.  But I didn't care about his money, I only wanted things to be better between us.

My mom was married to my step-dad at the time.  They were alcoholics.  My dad was also going to AA to get help, and was successful in his career, but my mom and step-dad were struggling and my step-dad would get violent when he drank.  My step-dad didn't let us stay with my mom without causing problems for her.  He had lost his dad in a mining cave-in when he was a small child, so his mother lost her husband, her brother, and her father in that same accident.  She was so devastated, she put her two sons up for adoption, so she lost them as well.  They grew up in the Baptist Boys Home, and he said he experienced a lot of abuse there.   He and my mother also had a baby and she had nowhere else to go when they fought.

My dad was there for me in many practical ways growing up, even though we had difficulty relating to each other.  I don't think he ever intended to hurt me, he just didn't want me to make mistakes and maybe he didn't know how to help me.  His idea of life was like swimming or riding a bike, you either sink or swim.  I wish I had known how to speak to him and be closer before he died (in 1994).  He began to be more supportive and called me more often when my daughter, Ariele, was born, so we had a chance to become closer.  But he lived out of town after he retired, so I didn't get to see him very often.  He and his wife came to take Ariele and I to dinner when she was a year old.  His wife took Ariele for a walk for a few minutes to keep her from crying when she became restless.  As I sat across from my dad, with no mediator, I still remember feeling so nervous and painfully self-conscious.  I still felt like that frightened child, even though I knew things had changed.  We still didn't know how to communicate, but at least we were trying, and that was a good thing.

I also didn't realize until I remembered the Friday night at the movie with my dad that, emotionally, part of me was still sitting back in that dark theater in my mind, and that, subconsciously, it had been keeping me from understanding and knowing G-d as my loving heavenly Father.  I felt like I always needed a mediator with my dad, which was usually my older brother, my mom, or aunt, or my step-mom.  I used to hide behind my brother when we got into trouble, and I was projecting all my negative feelings from my experience with my dad onto G-d.  I was so anxious at the time I can't remember the details of the good things about the time I spent with my dad that night at the movie.

We read King Lear in class recently as well; just before reading The Tempest.  It was the first time I had read the entire play.  I almost didn't go to class that day because it wrecked me to talk about it.  It reminded me so much of my dad and our relationship.

Why didn't Cordelia speak to her father?  She said, "love and be silent."  When she found her father again in his tragic condition, she said to someone else, "He awakes, you speak to him." Was she being prideful or unforgiving?  Maybe she didn't want to upset him further.  I don't believe it is because she was being harsh, or at a loss for words.  I think she was still stung in a way, numb from the shock of being disowned, and that she also didn't want to violate his wishes not to speak to her.  She still loved her father and wouldn't want to make matters worse or alienate him even more, so she stayed busy doing her father's business, looking out for him.  Although, as he said, "nothing comes of nothing."

I heard a song this week, "One Thing Remains" that said, "Your love never fails, it never gives up, it never runs out on me."  I could feel the words sinking into my heart.  It felt like my heavenly Father was coming to sit with me in the dark theater of my mind, reassuring me of his love.  His loving-kindness.  My parents had to put me on tranquilizers for a while when they were going through their divorce, because I kept breaking out in a rash from anxiety.  My dad got his own apartment soon after our night at the movies, so I don't remember going together alone after that.  But he did get me a nice cassette player with a small cassette tape of the Beatles' release "Hey Jude," and other songs for my birthday, not too long after that.  Now, I am enjoying the Sabbath and a great sense of 'Shalom,' on a Friday night "date-night" with my loving heavenly Father.  If I knew how to communicate in a way that would break every silence of separation, I would also speak.  My lips are already moving, as Hannah's did, silently in prayer for a child; though I, like a child, only need to be reconciled.

[ A Prayer of Moses, Man of G-d ] G-d, it seems you’ve been our home forever; long before the mountains were born, Long before you brought earth itself to birth, from "once upon a time" to "kingdom come"you are G-d. So don’t return us to mud, saying, "Back to where you came from!" Patience! You’ve got all the time in the worldwhether a thousand years or a day, it’s all the same to you. Are we no more to you than a wispy dream, no more than a blade of grass That springs up gloriously with the rising sun and is cut down without a second thought? Your anger is far and away too much for us; we’re at the end of our rope. You keep track of all our sins; every misdeed since we were children is entered in your books. All we can remember is that frown on your face. Is that all we’re ever going to get? We live for seventy years or so (with luck we might make it to eighty), And what do we have to show for it? Trouble. Toil and trouble and a marker in the graveyard. Who can make sense of such rage, such anger against the very ones who fear you? Psalm 90:2,4 MSG


Genesis:8 When they heard the sound of G-d strolling in the garden in the evening breeze, the Man and his Wife hid in the trees of the garden, hid from G-d.
G-d called to the Man: “Where are you?”
10 He said, “I heard you in the garden and I was afraid because I was naked. And I hid.”
11 G-d said, “Who told you you were naked? Did you eat from that tree I told you not to eat from?”
12 The Man said, “The Woman you gave me as a companion, she gave me fruit from the tree, and, yes, I ate it.”
G-d said to the Woman, “What is this that you’ve done?”
13 “The serpent seduced me,” she said, “and I ate.”
14-15 G-d told the serpent:
“Because you’ve done this, you’re cursed,
    cursed beyond all cattle and wild animals,
Cursed to slink on your belly
    and eat dirt all your life.
I’m declaring war between you and the Woman,
    between your offspring and hers.
He’ll wound your head,
    you’ll wound his heel.”
16 He told the Woman:
“I’ll multiply your pains in childbirth;
    you’ll give birth to your babies in pain.
You’ll want to please your husband,
    but he’ll lord it over you.”
17-19 He told the Man:
“Because you listened to your wife
    and ate from the tree
That I commanded you not to eat from,
    ‘Don’t eat from this tree,’
The very ground is cursed because of you;
    getting food from the ground
Will be as painful as having babies is for your wife;
    you’ll be working in pain all your life long.
The ground will sprout thorns and weeds,
    you’ll get your food the hard way,
Planting and tilling and harvesting,
    sweating in the fields from dawn to dusk,
Until you return to that ground yourself, dead and buried;
    you started out as dirt, you’ll end up dirt.”
20 The Man, known as Adam, named his wife Eve because she was the mother of all the living.
21 G-d made leather clothing for Adam and his wife and dressed them.
22 G-d said, “The Man has become like one of us, capable of knowing everything, ranging from good to evil. What if he now should reach out and take fruit from the Tree-of-Life and eat, and live forever? Never—this cannot happen!”
23-24 So G-d expelled them from the Garden of Eden and sent them to work the ground, the same dirt out of which they’d been made. He threw them out of the garden and stationed angel-cherubim and a revolving sword of fire east of it, guarding the path to the Tree-of-Life.



This used to be the Knob Hill Theater.
It was later named the Oklahoma Opry Theater. 
It is still there today, empty and ready to be put to good use.
Located in the Capitol Hill district at
404 W. Commerce (S.W. 25th Street) in Oklahoma City,
 A Department of Human Services building sits just across the street
where a large department store used to be (that once had a fish tank with live Piranhas for sale!)
The theater was built in 1946.
It was air conditioned, modern, with comfortable seating,
the latest in projection and sound, with every facility,
 including a "cry room," a "smoking room,"
and 2 acres of free parking.
(I could have made good use of the crying room.)
And Today, this theater has one less ghost.